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Author(s): | Jean-Louis Serre, Isabelle Heath, Simon Heath | |||
Collection: | ||||
Publisher: | Wiley | |||
Year: | 2006 | |||
Language: | English | |||
Pages: | 272 pages | |||
Size: | 3.13 MB | |||
Extension: | ||||
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[content title="Description"]Recent developments within molecular biology and genetic engineering have led to huge advances and changes within the biological sciences especially within the field of human genetics. Diagnostic Techniques in Genetics offers an important overview of how DNA or RNA technology may be applied to a large set of genetic diagnoses.
The first part of the book focuses on DNA/RNA applications and includes many of the latest developments in the field combined with routine procedures of genetic diagnoses, for example cloning and sequencing DNA. The DNA applications presented in the first chapter are then each applied to a specific kind of genetic diagnosis and the text concludes with a chapter devoted to population genetics.
First published in French by Dunod in 2002, this book is an excellent reference for students taking courses in molecular biology, medicine and medical genetics. It is also a useful introduction for postgraduate students and researchers in the field who require a general overview of genetic [/content]
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[content title="About the author"]The French baritone, Jean-Louis Serre, began his career at an early age with the demands of an all-boy choir at the music school he attended. He went on to study at Tübingen and Heidelberg Universities in Germany but was soon drawn back to his original love for music and entered the CNSMP (Conservatoire National Supérieur de Musique de Paris) studying with Jane Berbié, Rémy Corazza and Marie-Claire Cottin, shortly thereafter joining the professional circuit as a baritone singer.
Of all musical styles opera is the place Jean-Louis Serre can give fully demonstrate his singing and acting talents. He makes regular appearances at concert halls such as Châtelet, Les Champs Elysées, l'Opera Comique but also Nancy, Toulouse, Tours, Avignon, Rennes, Angers, St Etienne and the Grand Théâtre de Genève. where his stage presence and unique vocal timbre are always praiseworthy. His approach to Oratorio repertoire is both enthusiastic and intensely personal; the early experience in a boys' choir has given him great insight into this work to which he has dedicated so much attention. [/content]
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